PARTING AT A WINE-SHOP IN NANJING
A wind, bringing willow-cotton, sweetens the shop,
And a girl from Wu, pouring wine, urges me to share it
With my comrades of the city who are here to see me off;
And as each of them drains his cup, I say to him in parting,
Oh, go and ask this river running to the east
If it can travel farther than a friend’s love!
A FAREWELL TO SECRETARY SHUYUN
AT THE XIETIAO VILLA IN XUANZHOU
Since yesterday had to throw me and bolt,
Today has hurt my heart even more.
The autumn wildgeese have a long wind for escort
As I face them from this villa, drinking my wine.
The bones of great writers are your brushes, in the School of Heaven,
And I am a Lesser Xie growing up by your side.
We both are exalted to distant thought,
Aspiring to the sky and the bright moon.
But since water still flows, though we cut it with our swords,
And sorrows return, though we drown them with wine,
Since the world can in no way answer our craving,
I will loosen my hair tomorrow and take to a fishingboat.
A SONG OF RUNNING-HORSE RIVER IN FAREWELL
TO GENERAL FENG OF THE WESTERN EXPEDITION
Look how swift to the snowy sea races Running-Horse River! —
And sand, up from the desert, flies yellow into heaven.
This Ninth-month night is blowing cold at Wheel Tower,
And valleys, like peck measures, fill with the broken boulders
That downward, headlong, follow the wind.
…In spite of grey grasses, Tartar horses are plump;
West of the Hill of Gold, smoke and dust gather.
O General of the Chinese troops, start your campaign!
Keep your iron armour on all night long,
Send your soldiers forward with a clattering of weapons!
…While the sharp wind’s point cuts the face like a knife,
And snowy sweat steams on the horses’ backs,
Freezing a pattern of five-flower coins,
TIANMU MOUNTAIN ASCENDED IN A DREAM
A seafaring visitor will talk about Japan,
Which waters and mists conceal beyond approach;
But Yueh people talk about Heavenly Mother Mountain,
Still seen through its varying deeps of cloud.
In a straight line to heaven, its summit enters heaven,
Tops the five Holy Peaks, and casts a shadow through China
With the hundred-mile length of the Heavenly Terrace Range,
Which, just at this point, begins turning southeast.
…My heart and my dreams are in Wu and Yueh
And they cross Mirror Lake all night in the moon.
And the moon lights my shadow
And me to Yan River —
With the hermitage of Xie still there
And the monkeys calling clearly over ripples of green water.
I wear his pegged boots
Up a ladder of blue cloud,
Sunny ocean half-way,
Holy cock-crow in space,
Myriad peaks and more valleys and nowhere a road.
Flowers lure me, rocks ease me. Day suddenly ends.
Bears, dragons, tempestuous on mountain and river,
Startle the forest and make the heights tremble.
Clouds darken with darkness of rain,
Streams pale with pallor of mist.
The Gods of Thunder and Lightning
Shatter the whole range.
The stone gate breaks asunder
Venting in the pit of heaven,
An impenetrable shadow.
…But now the sun and moon illumine a gold and silver terrace,
And, clad in rainbow garments, riding on the wind,
Come the queens of all the clouds, descending one by one,
With tigers for their lute-players and phoenixes for dancers.
Row upon row, like fields of hemp, range thefairy figures.
I move, my soul goes flying,
I wake with a long sigh,
My pillow and my matting
Are the lost clouds I was in.
…And this is the way it always is with human joy:
Ten thousand things run for ever like water toward the east.
And so I take my leave of you, not knowing for how long.
ON HEARING AN WANSHAN PLAY THE REED-PIPE
Bamboo from the southern hills was used to make this pipe.
And its music, that was introduced from Persia first of all,
Has taken on new magic through later use in China.
And now the Tartar from Liangzhou, blowing it for me,
Drawing a sigh from whosoever hears it,
Is bringing to a wanderer’s eyes homesick tears….
Many like to listen; but few understand.
To and fro at will there’s a long wind flying,
Dry mulberry-trees, old cypresses, trembling in its chill.
There are nine baby phoenixes, outcrying one another;
A dragon and a tiger spring up at the same moment;
Then in a hundred waterfalls ten thousand songs of autumn
Are suddenly changing to The Yuyang Lament;
And when yellow clouds grow thin and the white sun darkens,
They are changing still again to Spring in the Willow Trees.
Like Imperial Garden flowers, brightening the eye with beauty,
Are the high-hall candles we have lighted this cold night,
And with every cup of wine goes another round of music.
RETURNING AT NIGHT TO LUMEN MOUNTAIN
A bell in the mountain-temple sounds the coming of night.
I hear people at the fishing-town stumble aboard the ferry,
While others follow the sand-bank to their homes along the river.
…I also take a boat and am bound for Lumen Mountain —
And soon the Lumen moonlight is piercing misty trees.
I have come, before I know it, upon an ancient hermitage,
The thatch door, the piney path, the solitude, the quiet,
Where a hermit lives and moves, never needing a companion.
A SONG OF LU MOUNTAIN TO CENSOR LU XUZHOU
I am the madman of the Chu country
Who sang a mad song disputing Confucius.
…Holding in my hand a staff of green jade,
I have crossed, since morning at the Yellow Crane Terrace,
All five Holy Mountains, without a thought of distance,
According to the one constant habit of my life.
Lu Mountain stands beside the Southern Dipper
In clouds reaching silken like a nine-panelled screen,
With its shadows in a crystal lake deepening the green water.
The Golden Gate opens into two mountain-ranges.
A silver stream is hanging down to three stone bridges
Within sight of the mighty Tripod Falls.
Ledges of cliff and winding trails lead to blue sky
And a flush of cloud in the morning sun,
Whence no flight of birds could be blown into Wu.
…I climb to the top. I survey the whole world.
I see the long river that runs beyond return,
Yellow clouds that winds have driven hundreds of miles
And a snow-peak whitely circled by the swirl of a ninefold stream.
And so I am singing a song of Lu Mountain,
A song that is born of the breath of Lu Mountain.
…Where the Stone Mirror makes the heart’s purity purer
And green moss has buried the footsteps of Xie,
I have eaten the immortal pellet and, rid of the world’s troubles,
Before the lute’s third playing have achieved my element.
A LUTE SONG
Our host, providing abundant wine to make the night mellow,
Asks his guest from Yangzhou to play for us on the lute.
Toward the moon that whitens the city-wall, black crows are flying,
Frost is on ten thousand trees, and the wind blows through our clothes;
But a copper stove has added its light to that of flowery candles,
And the lute plays The Green Water, and then The Queen of Chu.
Once it has begun to play, there is no other sound:
A spell is on the banquet, while the stars grow thin….
But three hundred miles from here, in Huai, official duties await him,
And so it’s farewell, and the road again, under cloudy mountains.
ON HEARING DONG PLAY THE FLAGEOLET
A POEM TO PALACE-ATTENDANT FANG
When this melody for the flageolet was made by Lady Cai,
When long ago one by one she sang its eighteen stanzas,
Even the Tartars were shedding tears into the border grasses,
And the envoy of China was heart-broken, turning back home with his escort.
…Cold fires now of old battles are grey on ancient forts,
And the wilderness is shadowed with white new-flying snow.
…When the player first brushes the Shang string and the Jue and then the Yu,
Autumn-leaves in all four quarters are shaken with a murmur.
Dong, the master,
Must have been taught in heaven.
Demons come from the deep pine-wood and stealthily listen
To music slow, then quick, following his hand,
Now far away, now near again, according to his heart.
A hundred birds from an empty mountain scatter and return;
Three thousand miles of floating clouds darken and lighten;
A wildgoose fledgling, left behind, cries for its flock,
And a Tartar child for the mother he loves.
Then river waves are calmed
And birds are mute that were singing,
And Wuzu tribes are homesick for their distant land,
And out of the dust of Siberian steppes rises a plaintive sorrow.
…Suddenly the low sound leaps to a freer tune,
Like a long wind swaying a forest, a downpour brea king tiles,
A cascade through the air, flying over tree-tops.
…A wild deer calls to his fellows. He is running among the mansions
I find you alone under falling petals.
IN HER QUIET WINDOW
Too young to have learned what sorrow means,
Attired for spring, she climbs to her high chamber….
The new green of the street-willows is wounding her heart —
Just for a title she sent him to war.
A SONG OF THE SPRING PALACE
Last night, while a gust blew peach-petals open
And the moon shone high on the Palace Beyond Time,
The Emperor gave Pingyang, for her dancing,
Brocades against the cold spring-wind.
A SONG OF LIANGZHOU
They sing, they drain their cups of jade,
They strum on horseback their guitars.
…Why laugh when they fall asleep drunk on the sand ? —
How many soldiers ever come home?
A FAREWELL TO MENG HAORAN
ON HIS WAY TO YANGZHOU
You have left me behind, old friend, at the Yellow Crane Terrace,
On your way to visit Yangzhou in the misty month of flowers;
Your sail, a single shadow, becomes one with the blue sky,
Till now I see only the river, on its way to heaven.
THROUGH THE YANGZI GORGES
From the walls of Baidi high in the coloured dawn
To Jiangling by night-fall is three hundred miles,
Yet monkeys are still calling on both banks behind me
To my boat these ten thousand mountains away.
ON MEETING A MESSENGER TO THE CAPITAL
It’s a long way home, a long way east.
I am old and my sleeve is wet with tears.
We meet on horseback. I have no means of writing.
Tell them three words: “He is safe.”
ON MEETING LI GUINIAN DOWN THE RIVER
I met you often when you were visiting princes
And when you were playing in noblemen’s halls.
…Spring passes…. Far down the river now,
I find you alone under falling petals.
AT CHUZHOU ON THE WESTERN STREAM
Where tender grasses rim the stream
And deep boughs trill with mango-birds,
On the spring flood of last night’s rain
The ferry-boat moves as though someone were poling.
A NIGHT-MOORING NEAR MAPLE BRIDGE
While I watch the moon go down, a crow caws through the frost;
Under the shadows of maple-trees a fisherman moves with his torch;
And I hear, from beyond Suzhou, from the temple on Cold Mountain,
Ringing for me, here in my boat, the midnight bell.
A SONG OF A PURE-HEARTED GIRL
Lakka-trees ripen two by two
And mandarin-ducks die side by side.
If a true-hearted girl will love only her husband,
In a life as faithfully lived as theirs,
What troubling wave can arrive to vex
A spirit like water in a timeless well?
A TRAVELLER’S SONG
The thread in the hands of a fond-hearted mother
Makes clothes for the body of her wayward boy;
Carefully she sews and thoroughly she mends,
Dreading the delays that will keep him late from home.
But how much love has the inch-long grass
For three spring months of the light of the sun?
ON A GATE-TOWER AT YUZHOU
Where, before me, are the ages that have gone?
And where, behind me, are the coming generations?
I think of heaven and earth, without limit, without end,
And I am all alone and my tears fall down.
AN OLD AIR
There once was a man, sent on military missions,
A wanderer, from youth, on the You and Yan frontiers.
Under the horses’ hoofs he would meet his foes
And, recklessly risking his seven-foot body,
Would slay whoever dared confront
Those moustaches that bristled like porcupinequills.
…There were dark clouds below
the hills, there were white clouds above them,
But before a man has served full time, how can he go back?
In eastern Liao a girl was waiting, a girl of fifteen years,
Deft with a guitar, expert in dance and song.
…She seems to be fluting, even now, a reed-song of home,
Filling every soldier’s eyes with homesick tears.
A FAREWELL TO MY FRIEND CHEN ZHANGFU
In the Fourth-month the south wind blows plains of yellow barley,
Date-flowers have not faded yet and lakka-leaves are long.
The green peak that we left at dawn we still can see at evening,
While our horses whinny on the road, eager to turn homeward.
…Chen, my friend, you have always been a great and good man,
With your dragon’s moustache, tiger’s eyebrows and your massive forehead.
In your bosom you have shelved away ten thousand volumes.
You have held your head high, never bowed it in the dust.
…After buying us wine and pledging us, here at the eastern gate,
And taking things as lightly as a wildgoose feather,
Flat you lie, tipsy, forgetting the white sun;
But now and then you open your eyes and gaze at a high lone cloud.
…The tide-head of the lone river joins the darkening sky.
The ferryman beaches his boat. It has grown too late to sail.
BALLADS OF FOUR SEASONS: SPRING
The lovely Lo Fo of the western land
Plucks mulberry leaves by the waterside.
Across the green boughs stretches out her white hand;
In golden sunshine her rosy robe is dyed.
“my silkworms are hungry, I cannot stay.
Tarry not with your five-horse cab, I pray.”
BALLADS OF FOUR SEASONS: SUMMER
On Mirror Lake outspread for miles and miles,
The lotus lilies in full blossom teem.
In fifth moon Xi Shi gathers them with smiles,
Watchers o’erwhelm the bank of Yuoye Stream.
Her boat turns back without waiting moonrise
To yoyal house amid amorous sighs.
A SONG OF AN AUTUMN MIDNIGHT
A slip of the moon hangs over the capital;
Ten thousand washing-mallets are pounding;
And the autumn wind is blowing my heart
For ever and ever toward the Jade Pass….
Oh, when will the Tartar troops be conquered,
And my husband come back from the long campaign!
BALLADS OF FOUR SEASONS: WINTER
The courier will depart next day, she’s told.
She sews a warrior’s gown all night.
Her fingers feel the needle cold.
How can she hold the scissors tight?
The work is done, she sends it far away.
When will it reach the town where warriors stay?
A SONG OF CHANGGAN
My hair had hardly covered my forehead.
I was picking flowers, paying by my door,
When you, my lover, on a bamboo horse,
Came trotting in circles and throwing green plums.
We lived near together on a lane in Ch’ang-kan,
Both of us young and happy-hearted.
…At fourteen I became your wife,
So bashful that I dared not smile,
And I lowered my head toward a dark corner
And would not turn to your thousand calls;
But at fifteen I straightened my brows and laughed,
Learning that no dust could ever seal our love,
That even unto death I would await you by my post
And would never lose heart in the tower of silent watching.
…Then when I was sixteen, you left on a long journey
Through the Gorges of Ch’u-t’ang, of rock and whirling water.
And then came the Fifth-month, more than I could bear,
And I tried to hear the monkeys in your lofty far-off sky.
Your footprints by our door, where I had watched you go,
Were hidden, every one of them, under green moss,
Hidden under moss too deep to sweep away.
And the first autumn wind added fallen leaves.
And now, in the Eighth-month, yellowing butterflies
Hover, two by two, in our west-garden grasses
And, because of all this, my heart is breaking
And I fear for my bright cheeks, lest they fade.
Dare ford the river boundary.
THE LEYOU TOMBS
With twilight shadows in my heart
I have driven up among the Leyou Tombs
To see the sun, for all his glory,
Buried by the coming night.
A NOTE LEFT FOR AN ABSENT ECLUSE
When I questioned your pupil, under a pine-tree,
My teacher, he answered, ” went for herbs,
But toward which corner of the mountain,
How can I tell, through all these clouds ?”
CROSSING THE HAN RIVER
Away from home, I was longing for news
Winter after winter, spring after spring.
Now, nearing my village, meeting people,
I dare not ask a single question.
A SPRING SIGH
Drive the orioles away,
All their music from the trees….
When she dreamed that she went to Liaoxi Camp
To join him there, they wakened her
GENERAL GE SHU
This constellation, with its seven high stars,
Is Ge Shu lifting his sword in the night:
And no more barbarians, nor their horses, nor cattle,
Dare ford the river boundary.
A SONG OF CHANGGAN I
“Tell me, where do you live? —
Near here, by the fishing-pool?
Let’s hold our boats together, let’s see
If we belong in the same town. ”
A SONG OF CHANGGAN II
“Yes, I live here, by the river;
I have sailed on it many and many a time.
Both of us born in Changgan, you and I!
Why haven’t we always known each other? ”
A SIGH FROM A STAIRCASE OF JADE
Her jade-white staircase is cold with dew;
Her silk soles are wet, she lingered there so long….
Behind her closed casement, why is she still waiting,
Watching through its crystal pane the glow of the autumn moon?
His golden arrow is tipped with hawk’s feathers,
His embroidered silk flag has a tail like a swallow.
One man, arising, gives a new order
To the answering shout of a thousand tents.
I decide that not my mother-in-law
FAREWELL TO A BUDDHIST MONK
Can drifting clouds and white storks
Be tenants in this world of ours? —
Or you still live on Wuzhou Mountain,
Now that people are coming here?
AN AUTUMN NIGHT MESSAGE TO QIU
As I walk in the cool of the autumn night,
Thinking of you, singing my poem,
I hear a mountain pine-cone fall….
You also seem to be awake.
ON HEARING HER PLAY THE HARP
Her hands of white jade by a window of snow
Are glimmering on a golden-fretted harp —
And to draw the quick eye of Chou Yu,
She touches a wrong note now and then.
On the third day, taking my place to cook,
Washing my hands to make the bridal soup,
I decide that not my mother-in-law
But my husband’s young sister shall have the fiat taste.
THE JADE DRESSING-TABLE
Last night my girdle came undone,
And this morning a luck-beetle flew over my bed.
So here are my paints and here are my powders —
And a welcome for my yoke again.
A hundred mountains and no bird,
A thousand paths without a footprint;
A little boat, a bamboo cloak,
An old man fishing in the cold river-snow.
THE SUMMER PALACE
In the faded old imperial palace,
Peonies are red, but no one comes to see them….
The ladies-in-waiting have grown white-haired
Debating the pomps of Emperor Xuanzong.
A SUGGESTION TO MY FRIEND LIU
There’s a gleam of green in an old bottle,
There’s a stir of red in the quiet stove,
There’s a feeling of snow in the dusk outside —
What about a cup of wine inside?
SHE SINGS AN OLD SONG
A lady of the palace these twenty years,
She has lived here a thousand miles from her home-
Yet ask her for this song and, with the first few words of it,
See how she tries to hold back her tears.
A NIGHT-MOORING ON THE JIANDE RIVER
While my little boat moves on its mooring of mist,
And daylight wanes, old memories begin….
How wide the world was, how close the trees to heaven,
And how clear in the water the nearness of the moon!
A SPRING MORNING
I awake light-hearted this morning of spring,
Everywhere round me the singing of birds —
But now I remember the night, the storm,
And I wonder how many blossoms were broken.
IN THE QUIET NIGHT
So bright a gleam on the foot of my bed —
Could there have been a frost already?
Lifting myself to look, I found that it was moonlight.
Sinking back again, I thought suddenly of home.
A BITTER LOVE
How beautiful she looks, opening the pearly casement,
And how quiet she leans, and how troubled her brow is!
You may see the tears now, bright on her cheek,
But not the man she so bitterly loves.
THE EIGHT-SIDED FORTRESS
The Three Kingdoms, divided, have been bound by his greatness.
The Eight-Sided Fortress is founded on his fame;
Beside the changing river, it stands stony as his grief
That he never conquered the Kingdom of Wu.
AT HERON LODGE
Mountains cover the white sun,
And oceans drain the golden river;
But you widen your view three hundred miles
By going up one flight of stairs.